Trios and larger mixed chamber ensembles including works for clarinet quintet, cello octet, saxophones and for recorders
A SECTORAL WEB SPANNING AN OPEN DOORWAY [1999]                                          

trio for clarinet in A, bassoon and piano                        

9 min.                                                                                                                 

 

TOWARDS THE SEA [2000]                                            

trio for clarinet, viola and cello                                         

6 min.                                                               

 

IN THE WHITE HOURS                          

versions for: shakuhachi, percussion, violin, piano [2001]

alto sax, percussion, piano [2002]

3-5min         

                                          

SHE LOOKS UP [2002]                                                       

for mixed open ensemble    

                                                                                         

NOT MUCH [2003]                                                             

For flute, oboe, viola and harp         

 

O VOS (chamber version) [2004]                 

arr. for cl., vibraphone, vln, vc, 

3 mins    

 

ORISHA OSUN [2010]                                                                                                    

soprano sax with sax sextet and percussion                                                   

7 mins

 

IRIS OF SKY [2005]                                                            

fl, cl, hn, perc, vln, vc                                                         

6 mins

 

HILDEGARD REFLECTIONS [2008]

3 pieces for saxophones

i) O Vos for saxophone trio (AAA)

ii) O Frondens (AAT with keyboard/piano)

iii) Hildegard Dances (AATB)

10 mins

Audio clip available - use LH menu

 

CELLI SOURCE [2008]

for cello octet

3 mins

 

SEA-CHANGE [2016]

for clarinet quintet

for multiple clarinets and string quartet featuring E flat, D, B flat, Bass and Contrabass clarinets

28 minutes

commissioned by Ronald Woodley with funding from Birmingham Conservatoire BCU Research funds 

 

 

 

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